Featured

Big Heart

In June of 2020 I ‘graduated’ from teaching. Teaching requires mindfulness and extreme focus, a one-hundred percent investment of love during time spent one-on-one with a child or with a group in the classroom. It requires setting aside self to see and hear others instead.

One of my sister writers, author of “Cross Roads,” Anne B. Jeffries, agreed to post on my blog this week. She had just finished a full day of commitment at school but she came to write with us.  She is adept at pouring Heart. When she attends our Wise Women Writing group, she feeds our souls. In a mere ten minutes, she addresses each prompt with profound honesty. Her act is an inspiration for the rest of us. She demands authenticity for herself, while maintaining curiosity, joy, love, and compassion for the rest of us.

Dear Readers, I don’t know what some of you do, but I do know that if you are reading my blog you have a sincere desire to connect with heart. Anne’s heart makes a big connection.

Anne, thank you. I feel honored that you have  given me your words to give to my readers. Fellow teacher, fighter for children, fighter for people, Anne, I love your heart. You pour out all it carries every day and I know your students feel your intent. Your writing takes away my breath and reminds me that teaching is something I still love to do. 

Memories Sleeping

It’s not just my memories sleeping,

It’s all of it.

A honey drip slowness.

I can catch up tomorrow.

Just want to sink down in sleep.

Rest.

Like a frenetic fall.

What is the charge?

Is it my nervous system that signals the experience to fizzle,

Lose its edges?

Then, sink away in categories and compartments,

With no present security access?

Where is my agency?

Who is filing these memories and who granted permission for this protocol?

Or, maybe, it’s all chaos and no “thing” has access.

My consciousness just sifts above it all like a metal detector pulling up old coins.

What about the pieces made of wood and plastic?

What loosens those?

Eternal Minutes

He said it’s like wearing a lie on his face.

I feel that way all the time.

In class- with him- with them.

Like I’m a puppet driven by a motor I did not program, or know how to run.

Today, 

For hours,

I peered out from below the lip where I stuffed myself down into a pouring cup,

Until all the drops of the eternal minutes,

Ran out against the automaticity

Of that forced time.

Family Dynamics

There is something about the inability to walk away.

A fabric woven together?

Fabric doesn’t work

because it’s made of thread that can be woven into something else.

My sentiment is too deep to separate out –

Like color in the sky?

Nope

Color is only light.

What holds us together?

Is it, in fact,

A choice?

Check it out

If you would like to read more of Anne’s work, check it out here:

Anne B. Jeffries, Author

Featured

Memories Sleeping

Author’s Notes: Writer’s block. Everyone has heard about it, jokes made, condolences offered. It’s a real thing, a time most Creatives face. The well of ideas runs dry, the lake of inspiration empties and a desert of despair stretches farther than one can see. I had it bad, wandering that desert for at least six months.

One of my writing sisters sympathized, stating her creativity had recently become dormant. We discussed the idea. She was taking a course by David Whyte who offered a solution.  

She shared it with me. “Ask yourself,  what do you want to say that you are not saying?” 

It is a question any creative person can mold to unblock many avenues of stagnation. For an artist, “What do I need to see that I won’t look at?” For musicians, dancers, actors, “What do I need to feel that I haven’t allowed?”  

When Lynnea Paxton-Honn shared this with me, my re-awakening began. “What do I want to say that I am not saying?” 

In California, where we live, January roared into our state with a deluge capable of filling dry lakes and ponds, and creating new ones, seemingly overnight. It ferociously filled rivers, washing away many things. Tides surged, waves plundered. From Earth’s perspective the rain was needed even though it was so destructive. From a spiritual viewpoint, it was a physical expression of the need to wash away all that no longer serves, a process that caused great grief, but also opened new solutions and opened hearts. It awakened memories, and filled our creative lakes and wells with words for both of us…I am thrilled to present Lynnea’s poem Memories Sleeping

Water–Life Giving

drips, drips, drips

through layers of rock

and sediment,

leaks out through fissures

into the outer air,

trickling from mountain aquifers,

runoff gullies down

spilling over rocks,

around root tangles,

debris caught and bundled

catching all the matter

torn from banks

barricading the streaming water,

damming the flow,

holding the power

of the stream no longer streaming,

but pooling, pooling as it pushes

against the barricade, blocked

until it’s not

and tiny tear trickles

begin to slide through the micro

cracks in the barricade.

The things I do not want to say come forth.

Lynnea Paxton-Honn  January 2023

To read more from Lynnea, you can visit her blog site: heartofahorsewoman.blog

Or her author page at: Author Central – Amazon

Featured

Post #2 Reluctant Gardener

Works Cited

Flint, Mary Louise, Docent; Galls on the Valley Oaks of Effie Yeaw; October 11, 2018     https://sacnaturecenter.net/visit-us/nature-blog/news.html?NewsID=56742

Sousa, Marcy; What are Oak Galls? Here’s what you need to know about these insect breeding grounds; Home and Garden September 16, 2021,

https://www.recordnet.com/story/lifestyle/home-garden/2021/09/16/what-oak-galls-what-know-these-insect-breeding-grounds/8368800002/

A Big Hole

Featured

Plants are teachers. Their lessons are as subtle as their language; lesson that are easy to ignore if one isn’t mindful, and time moves so slowly for them, requests never seem urgent.

I felt the Liquid Ambers’ threats. Occasionally I would feel a slight shudder when I walked under them. I envisioned one or both crashing to the Earth. If that happened they would take out fences, smash windows, perhaps hurt animals, or gods-forbid – people. The Chinese Hackberry needed a trim, as did all the trees on this property, but I felt I had time. I made a decision. I would tend to this in January, after leaf fall. It was healthier for the trees.

The trees had another plan.

I was minding my own business when I received a call from a neighbor. “Have you eaten?” He often does this.

There have been times I forget about food. When he offers, I accept with deep gratitude because I am creative and become too caught up in whatever it is I do to deal with simple acts of three-dimensionality like eating.

That day I remembered. “I just ate,” I said.

“I’m bringing it over, anyway. You can reheat it later.”

I said, “Okay.”

Perhaps I should have refused him.

Since moving here less than two years ago, he has hated my trees. I am the crazy tree lady. For him, my yard is an eyesore. There are too many trees. When oxalis and three-corner leaks spread underneath the trees in the spring, the yard looks wild and unkempt. He hates the seedpods that the Ambers drop. Leaf fall upsets him. The trees obstruct his view of the corner above us. But, what he really hates is the shade in his yard. He worries it will kill his grass. There hasn’t been a single time that we have spoken across the fence that he hasn’t complained about my trees. Usually, it seems like banter, a conversation opener, a place to meet in the middle.

However, that day when he brought over the food, he very cautiously informed me that he had called a tree specialist to get a diagnosis for my Chinese Hackberry. It was very sick and needed to come down before it killed somebody.

I was puzzled and said, “My arborist didn’t notice that. Why wouldn’t he tell me that?”

I then explained to him my worry about the Liquid Ambers. They are fragile trees and have grown quite tall, but arborists don’t like to trim them because it makes them weaker. “I plan to deal with them in January.”

“Well that front tree is very sick. It has ants.”

Around here, all trees have ants. “I think my arborist would have told me if there was a problem,” I said.

“I knew you would be like this. You are so irresponsible.”

Really?

“Why do you have to be such an immature baby about this?”

Ego raised one eyebrow.

It suddenly occurred to me that this had been a plan before he bought the house next to mine. He intended to get rid of the tall, offensively shading trees next door. Wow! Was it possible he shared food with me so that he could wear me down? Was he thinking I now owed him? Did he expect I would cut my trees for him because he had fed me so often?

Ego insisted, “Give the food back. Right now!”

I tried. It was sad letting go of Nori sprinkled rice with pickled plums, but I pushed the dish toward him.

He backed away. “Just take it,” he shouted. “Take it.”

My mistake occurred when I said, “Oh, I see now. This was a plan. Well it works for you, doesn’t it? You have wanted this since you moved in.”

The instant the words left my mouth, I felt my mistake.

He retorted, “My house isn’t made of cardboard. It will be expensive to rebuild, and I will be suing for it.” As an afterthought he added, “It will be way more money than you have.”

Ego snapped. An avenging tree angel took over my voice. I have no idea what it said, but I know it called him out.  

“I knew it,” he said as he stormed back toward his house. “You are crazy. God-damned fucking crazy.”

I felt crazy.   

Shaking and dazed, I called my tree specialist. He came that evening.

“This is probably the healthiest Hackberry I have ever seen,” he said.

I knew this but…, “I need proof. Something in writing from an expert that says my tree is healthy.”

“Who are you doing this for?” he asked.

“My neighbor wants to sue me.”

He shook his head, but he called in another specialist who came later that night who confirmed what we all knew. My tree was healthy. If I wanted to trim it, I didn’t have to wait until leaf fall. He understood my misgivings about the Ambers. He said they could wait until leaf fall, or come down right now. Either way, I was right, Ambers in general weren’t suited for this climate or in such close proximity to houses.

Would my neighbor approach the City with a complaint about my trees while I waited for leaf fall? Would I have to take them all down? Would the unprecedented heat of California cause some unforeseen disaster? “Will you write a report? I need to protect myself,” I said.

He had to drive to the Bay Area that night, but he promised to write and send it when he arrived.

I received it that night.

Two weeks later, my Ambers felled and Hackberry severely trimmed, acts that bring pain and tears even today, the neighbor had the nerve to write me a thank you letter for fixing my trees for him.

Ego awakened again and said, “Shit.”

How does one shut up inner dialog when every step onto the front porch reminds my poor little Ego that it no longer has the protection of three loyal trees? How can I stop anger when I see my burned roses, and dead blackberry vines no longer sheltered from the brutal sun? How can I stop the tears as I watch my generous fig tree that has lived its life as understory burn away in the heat?

A few nights after that tragedy, I went to my weekly meeting with the Women Writers of the Well. Driving there, I promised myself I wouldn’t write about this event. It was time to let go.

Who was I kidding? I couldn’t find equilibrium. I didn’t know who I had turned into that day. What kind of person blindly lashes out after downloading information that should have remained a hidden knowing? I wish I could have quelled his fears instead of adding to the insanity of his accusations.

Then, one of the writers shared this prompt: a big hole.

A door opened. My pen flew across the page.

I picked up Ego, along with Anger and threw them into a big hole. I watched them fall, until darkness sucked them up.

Like all things, Valarie, they didn’t stay in that deep oblivion. As I turned, Anger grabbed me.

“Fix this,” it growled.

“No,” I said, fully prepared to kick whatever crawled out of that hole back into its depths.

“Where is this going?” Ego pleaded.

“Back into the hole, with you,” I shouted, pointing an angry finger.

Shaking my head, I stormed off. Sometimes it’s best to turn your back on a thing. 

As if reading my mind, it shouted, “Not true. I’ve always been there for you. You need someone to protect you, guard against that world out there that doesn’t understand.”

I flashed a middle finger at it. “I can protect myself. I make good decisions. I don’t need anybody telling me how to run my life. I have rights, you know. I deserve to be free of the likes of you.”

“You’re ungrateful.”

“Oooh. And you’re gone,” I said, shoving at it, hard enough to knock it back into the big hole.

It wouldn’t stay there. I knew better than to expect that, but I didn’t want to listen anymore.

“You need me,” I heard it shout from a deep, deep place. It wasn’t going to leave me alone until I grappled with it.

“Dammit!” I hate when Ego whines like that.

Sometimes it is hard to see a train wreck coming. Sometimes we can’t step out of the way. So, here I stand in front of the computer, grappling with the story I started during a writer’s meeting a few weeks ago; writing and rewriting, wondering if it will ever be smooth enough for a blog. Time will tell.

In the meantime, does anyone have a shovel I can borrow?

Featured

Caretaker

Caring For Others – May 31, 2021 Women Writers of the Well

The week prior to May 31st was rough for most of us in the writers group. I was in the middle of a course called Healing the Mother Wound, an exploration of shadows held within me, some created by myself, some by my own mother in our dance together, some passed down to the two of us from the women who came before us. I was in a fragile spot. A tiny shimmer of compassion for all involved slowly blossomed and I wanted to care for it.

Another woman had an awakening encounter with a homeless man, and realized her first reaction was fear, fear of him simply because he was a man and then because he lived wild, and looked it. It was the learned behavior of a woman growing up in the United States of America, most probably the reaction of any woman meeting a man in an unpredictable situation anywhere in the world. In the end, this one experience was positive, opening a door for both of them, but it left her in a fragile space wondering how, as women, we had come to fear men so.

A third woman in our group was caring for a devastatingly ill family member. She was inexorably disappearing as the ‘caretaker’ role took over. Alone with the task and afraid of losing herself, she was extremely fragile. Because many of us in the group have grappled with the same situation, her story, along with the meditative prompt, sent us over an emotional edge, which became public to each other when we read our pieces aloud.

This was mine:

“As a woman, caring for others is easier than caring for self. Caring for self requires looking too closely at who we are, what we are, how we define ourselves. Healing ancestral mother wounds has opened my eyes to how much my personal definition has been shaped by patriarchal conditioning handed down, not by the men in our lives, but the women.”

While reading, I looked up at the screen. Heads were nodding, eyes filled with tears. I thought, Oh dear, how will I read the rest of this to them?

I took a breath, and continued, “All of us define our worth according to how we care for others, whether on the job, in the home or within our communities. We ignore Self because we are valued only as Helper. We keep the machinery of life running.

“As I breathe in, I realize how much I don’t know about the “who” of me. I know what I am, I know what I do, I know about the people I tend. As I breathe out, do I freely let go, giving to others, or is there a part that I zealously hold onto, knowing there is not enough, not enough – not enough. Who am I? How do I define myself? What information could I give so that you could decide whether or not we would trust each other? If I don’t have full Self on board, I don’t have full Self to give and right now, in today’s world, it is paramount we offer full Self.”

Some of the comments to this piece were:

We are sic not whole if not perfect.

You can murder a woman without taking her life.

We are always whole, but it’s hard to see it if we tired, distracted, or sick.

How do we fill empty moments, spaces of silence?

How do we choose to fill them? Who are we in those empty moments not spent tending others? Recently, my Guides advised me to sit at the base of one of my trees to ground myself. It was less a suggestion and more an imperative. I was to sit and let the tree do the work. This is not easy for me, to sit and let others do…even trees. The Guides advised me that if I wanted to continue journaling, I should do it grounded at the base of a tree. After these past three weeks of doing so, I finally started asking, Who am I? – not my placement in the world as daughter, wife, mother, ex-wife, teacher, retiree – not that which I do to fill the empty moments and spaces of silence: writer, artist, singer, gardener, housekeeper, reader, student, dreamer, (well, maybe dreamer).

Who.

Am.

I?

What snippet of information could I come up with to give you a hint of who I am? What bits do you need to decide whether or not we will enjoy each other’s company, work well as a team, or just simply “be” together. What do you need to know to decide a friend stands before you?

Who am I?

I calculate risks before I take them,

Then jump in with my whole, tenacious heart.

Extreme imagination

Informs me of past, present, and future

I dream in color

A seamless wave

Of knowledge.

I see the path before me

Before I take a single step.

I fly on wings of music.

Therefore, sound distracts me because

Music is EVERYWHERE.

Profound quiet

Creates a space to regroup

But then,

I want to fly again,

Let the beats of a song

Erase my stasis.

I am an empath.

Your pain,

Your joy,

Your fear, your sorrow

I feel it; I feel you.

Sometimes I cannot tell

The difference between us.

Oh yeah.

You wear that separate meat suit.

Intuition guides me

To recognize and honor authenticity

But, I have no time for masks

Or deceit.

Once I see your true self

Shining from your eyes

I will love and honor you

And steadfastly

Hold space for you.

I soften with sensuality

Drawn by sound, texture,

Color, smell and taste.

I lose myself

With a single touch.

In the trappings of sensation

I have to work to stay present.

Therefore,

I am grateful for trees.

 …so very grateful for trees. I am learning a lot from them. I plan to make sitting under trees a regular part of my meditation practice. For the first time, I am beginning to feel as if I belong, as if I am a part of Earth, as if I am an amazing contribution to all there is. I am re-establishing who I am.

Who are you?

I would love to know you. Are you a risk taker? Are you someone who will reach out, leave a comment? Have I given you enough information to make such a decision?

Thank you, Dear Reader, for waiting these last three weeks for another post. I appreciate your interest and the time you are willing to spend with me. May you find Peace and a sense of Self as you go about your days.

AV

Fumble – Part Three

Featured

(Author’s Note: I want to start this last installment with the words of two writers I admire. Their words speak to me.). 

David Roddy co-writes the podcast “Worker’s Cauldron” with Mercedas Castillo. He advocates for the marginalized and homeless. The “Worker’s Cauldron” originally called “Sh!t Gets Weird” focuses on “the cultural politics of the paranormal.” Each program is a lesson about history you probably did not learn in school, at least not here in the United States. You can catch the podcast at: https://podcasts.apple.com/gb/podcast/the-workers-cauldron

David states: 

The most dangerous person is one who never questions the efficacy of his or her hard work to overcome adversity, who doesn’t take into account circumstance, outside help, or sheer luck. It is dangerous to disconnect racial disadvantages, disadvantages that are especially hard for those who are single mothers. A person is doomed to callousness and a heartless inconsideration of others as long as they idealize that hard work is the sole cause of success. 

The other is poet Lyla Osmundsen, a member of the Women Writers of the Well. At our Monday evening meeting, she responded to the prompt: “Have I invented the world I see?” Vibrant with emotion, shining Love with the heart of an angel, Lyla wrote from the core of her being, which she does – always. She completed the first two lines during our meeting and read them to us. I was so touched I asked if she could complete it to add to this blog entry. Thankfully, she agreed. Her book is available at: Wa(o)ndering to Poetry (9781717396556): Osmundsen, Lyla Fain: Books 

Have I Invented the World I See? – Lyla Osmundsen, 3/10/21

Does my anger vibrate in unison

with the anger of others,

causing volcanic eruptions of

daily gun violence?

Does my careless waste

of food

constitute a crime

against a starving individual?

Does stuffing my house

with thoughtless trifle

transform into the tragedy

of a child with no home?

Lyla asked the hard questions of herself. Those of us that hear her words, in turn ask them of ourselves. What are the ramifications of our emotions, our patterns, our wants and desires? We all need to ask, “What world have I created?” Is it the one we want to see?

To live, a human needs water, food, and shelter. These are not privileges. These are necessities. According to most articles that I read, the top four reasons for homelessness are: lack of affordable housing, unemployment, poverty, and low wages. Contrary to popular belief, more than one third of people who are homeless are not jobless. They work long hours, sometimes more than one job, even more than two or three jobs at a time. Housing is too expensive and there aren’t enough developments to house all the people that need housing. Even if there were, the average wages for the average worker cannot cover mortgages, or even skyrocketing rental costs.  

The housing problem compounded in California when yearly firestorms became the norm, forcing people to leave established living accommodations. As a teacher, I worked with families displaced by fire. Some lived out of their cars, more fortunate ones found safety with family or friends. Others, unable to find work in California, left the state, abandoning their old lives entirely. These were the lucky people.

The rest careened into homelessness and took to the streets, or the edges of parks, or under overpasses of highways. People of small towns and rural areas, areas with limited job availability especially develop an attitude of looking down on the displaced citizens that hover in their areas. The typical response I heard was that the hardworking taxpayer shouldn’t have to subsidize lazy vagrants.   

Then Covid-19 hit. Stimulus packages were not enough and came too late. Workplaces were shut down, people lost their businesses, mortgage holders weren’t compassionate enough because their own livelihood was compromised. Homelessness was no longer an issue of “you just have to work hard.” I wonder, do those angry people bemoaning their taxes still feel the same? Are some of them now living on the edges of society, possibly still working hard, still paying taxes, living under makeshift tents on the edges of town?

Covid-19 gave most of us time to realize our good fortune is largely due to luck. Having or not having is often a matter of who you know. It’s almost always a matter of what color am I?

As early as the 1970’s Federal investment in housing was threatened. In the 1980’s there was already an unwarranted number of families with children considered homeless. In 2008, financial crises created foreclosures forcing people to give up their homes and take rentals instead. Unfortunately, affordable and safe rental construction could not meet the demand of displaced homeowners. Rents rose, but working class wages did not. By the time Covid-19 was a pandemic, rents were too high for most people working full time year round as minimum wage workers. According to the U.S. Bureau of Labor Statistics in a survey completed in 2019, 82.3 million workers 16 years and older, represent well over half (58.1 percent) of all wage and salary workers in the United States. These are people struggling to maintain shelter. Six percent of white households are extremely low-income renters. (2,3,4)

For people of color, the statistics are bleak. “Twenty percent of Black households, 17 percent of American Indian or Alaska Native households, 15 percent of Hispanic households, and 10 percent of Asian households (compared to the white households), are extremely low-income renters and are often locked out of affordable housing due to systemic and structural racism and decades of racist policies.” (1)

I think about other single mothers like myself. What are those statistics?  Over 85% of homeless families are headed by women, specifically, by single women with children, and domestic violence is a principal cause of homelessness among single mother families. (5) 

Reading a statistic such as this raises the ugly face of my own fear. My fear was real. I was afraid of homelessness, however, that fear was as irrational then as it is now. I always had people who cared for me. I had places I could go. I am white. Job opportunities, even in this rural area, were presented to me, largely because of who my family knew. There was no way I would find myself on the street.

Even now, as a retired person living on barely adequate retirement wages, when the fear stops me in my tracks, the truth is – I remember that money is adequate. I have shelter. I have water. I have food.  

I will never know who that huddled person in front of Starbucks was. I didn’t stop to ask their story. Where was that person’s luck? Did my callousness leak some of it away? Were they as terrified of me, as I was of them? Were they huddled under the mound of clothing in defense and shame? Could I have alleviated part of that shame for one transitory moment if I had stopped to smile, at the very least? Could that one moment have made all the difference in the world for that one person?

December 31, 2019 was a lost opportunity. Today, as I rewrite this article, terror washes over me again as I remember being a single mother of two very young children. My heart crumbles as I remember the person I left behind at Starbucks. Before my fingers touched the keyboard, I sat on my bed sobbing. I lived on the brink of disaster, that person lives the disaster.

I have to own that terror and let it go. I also have to own the pride that covered it up and made me callous. Yes, I worked hard, but I was fortunate. I was presented with opportunities that I was in a position to grab; opportunities that a great many of us don’t have.

In the future, will I find, at the very least, the courage to smile if I have nothing else to give? I need to look behind the pride that covers my near miss and move forward one encounter, one opportunity, one story at a time.

Works Cited

Aurand, Andrew, Dan Emmanuel, Dan Threet, Ikra Rafi, and Diane Yentel. 2020. “The Gap: A Shortage of Affordable Homes,” p.13. Washington, DC: National Low Income Housing Coalition. https://reports.nlihc.org/sites/default/files/gap/Gap-Report_2020.pdf.

 Chetty, Raj, Nathaniel Hendren, and Lawrence Katz. 2016. “The Effects of Exposure to Better Neighborhoods on Children: New Evidence from the Moving to Opportunity Project.” American

Economic Review 106 (4). https://scholar.harvard.edu/hendren/publications/effects-exposure-better-neighborhoods-children-new-evidence-moving-opportunity.

Gowan, Peter and Ryan Cooper. 2017. “Social Housing in the United States,” p.1. Washington, DC: People’s Policy Project. https://www.peoplespolicyproject.org/wp-content/uploads/2018/04/SocialHousing.pdf.

Mother’s Gift

Featured

 Ana had to get out. Erupting, Mt. Shasta incarnate, she ran past the staleness of cigarettes and coffee on her mother’s breath and clothes, the sickly sweet Jean Nate she used to cover them up.

Bang! Hurtful words followed through the back door that slammed against the sill as if shot from a slingshot. They didn’t stop her. She jumped down all four steps off the porch, dashed out the back gate, and hit the pavement running. The slap, slap of her tennis shoes echoed like buckshot fired across the river.

Her mother called her name, once, twice, but Ana was too far along her escape route for the sharpness of her mother’s voice to pin her in place. Stares from three blocks of curious neighbors goose bumped the hair on her arms. She ran until she reached the field. There she crumbled, resting shaky and sweaty palms upon the pricks of the barbed wire. Somehow, the pain felt right.

He nickered when he looked up from grazing in the middle of the pasture. Green drooled from his mouth as he lipped a wad of succulent grass past his teeth. He shook flies from his sides, and his earthy scent beckoned.

She pulled open the wire gate and slipped through.

He took three lazy steps toward her and stopped.

She stopped and gazed at him.

He lowered his head, unsure of her intent.

She whispered his name.

He shook his head. His ears flopped from side to side. He licked his lips.

She softened and slowly walked toward him. When she reached him, she slipped her fingers under his thick mane. The soft warmth of his new, coppery, spring coat underneath the long, black, stranded curtain soothed her in ways she had yet to define, wouldn’t define, could not define. His salty scent spoke of dark woody roots, freshly turned fertile Earth, hugs, and safety.

He took another step, offering himself.

She wrapped her fingers around a handful of mane, jumped, and threw her leg over his broad back.

He sighed, lowered his head, and continued to graze. Muscles on his shoulder twitched, releasing tension between them.

She leaned back until his round rump became a welcome pillow.

The blue, Spring sky was all she could see. For a long time he rocked her with his gentle search across the field for the choicest clumps of grass.

Her heartbeat slowed. Flies buzzed. His tail swished, and flies scattered. A flock of tiny, brown birds landed in the arms of the big oak beside them, chittering from branch to branch, appearing in sunlight and then disappearing into shadow. Traffic rolled down the main road. Neighborhood boys played a rollicking game of dodgeball in the church parking lot down the street.

It seemed like just yesterday that she used to play too, not as one of the guys but not separate either. That had all changed with this awful, crushing metamorphosis.

For a moment, anger rose its ugly head like a rattler coiled at the base of a rock, daring her to come closer. But the clouds were so fluffy, so starkly white against the blue. They rolled into passing sailing vessels, which sent her dreaming about faraway places. An ostrich rose up, then melted just as fast. A wave of rolling boulders tumbled toward the Sierra Nevadas. Anger gave her up and slithered back under its rock. Beneath her, her horse shifted his weight as he grazed, swaying her back to sanity.

As the sun slipped behind a bank of heavy clouds, her thoughts turned to “mother.” Mother took bits of Ana’s soul with her words of warning: You have to watch your weight. We have to do something with that stringy hair. Must you sniff like that? Boys won’t like it. Your belly is getting too round. Put on that bra.

Why was her body betraying her? Why did her mother constantly point it out?

Her horse jerked, raising his head to watch a dog snooping around the edges of the field. For a moment, Ana’s mind blanked as she prepared for the possibility that her horse would chase the dog. But, the dog moseyed on, and her horse lowered his head to graze. She settled back onto the pillow of his rump.

Hadn’t “mother” also given her this refuge? Hadn’t she insisted upon it, even after the first mare died of extreme old age, and the second one met her fate in a tragic, heartbreaking, trailering accident? Hadn’t Mother brought the Goddess into herself to fight for this union of girl and horse?

Maybe the bits she stole were nothing more than unneeded facsimiles of self, little girl bits that would no longer serve who Ana was to become. Could that be true?

Her horse snorted. He stamped his back left foot, shaking her off the center of his back.

She scooted back into place.

Maybe this was truth, right here, on this warm, rocking back with cool breezes gentling past her under a clear, blue, Spring sky. Maybe this was all she needed. Nothing more.

The sweet scent of freshly broken grass under his feet that sent a warm, welcome rush of pleasure through her body was a portent to womanhood. Nothing more.

The awful burden of budding Goddess scared the desperate little girl living inside. Nothing more.

Her steady companion, who swayed beneath her, was a fearless steed who could carry her away from the mischief-maker of puberty for one more day.

Maybe this was all she needed. Her steed was a Mother’s gift. 

Nothing more…nothing less.

Featured

Endless Question

As I sit here avoiding the work I have to do on an illustration for a graphic novel I am working on, I try to figure out why I am so afraid of starting it. I have such confidence in other areas of my work and my life, but not this. Drawing terrifies me. As I grapple with “why,” my thoughts turn toward a question that came up in one of my illustration classes and again in a life studio class while I was in college.

What is the difference between a work of art and an illustration? When I was young, I argued that there was no difference. My fellow students disagreed with me. They were of the mind that there were two camps: those that were artists and therefore creators, and the others, those that were mere renderers.  

The argument was that an artist portrays the soul while an illustrator merely depicts what is seen.

I always took offense to this. At the time, I was preparing to become a scientific illustrator, eventually focusing on botanical illustration. When I studied a plant, was I less of an artist because I strove to capture the reality of it instead of its essence? Or did I capture both with my intense scrutiny of its architecture?

What is architecture? Everything in this three-dimensional world is built with arranged atoms, electro-magnetic force, and desire to hold a shape, the tao of becoming, if you will. Eventually, energy dissipates, chaos wins, and the physical form dissolves. However, for that moment in time when all is organized and held together in perfect order, a miracle has transpired – in the case of my study, a plant shimmers in Light. At this point, it does indeed appear that Life is the artist, and I, the mere observer of its architecture.

However, what happens the moment a person captures that plant by pencil, ink, paint, three-dimensional or soft media, or even film? Is this a mere portrait of its architecture? Do we call it illustration or art? What if that plant is captured in the agony of dissolution as chaos overwhelms it? Is this then art because of a possible emotional component, or is it still mere illustration? If not art, what is the additional ingredient that makes it more than “mere.”

In my opinion, anyone who attempts to communicate by form or picture creates art. By the very act of attempting, that extra “something” occurs. The renderer adds Self in the act of observing and recording. No one can negate this factor.

Is every attempt to intentionally render order to be considered art? I found strength for this conviction decades after attending college for the first time, when I re-enrolled to work with clay. In class, the age-old argument was still taking place. What is the difference between a potter and a sculptor? One is utilitarian; the other creates. Really? The professor was lovely, stating that even though one threw a pot that conformed to size, shape, and utility, no two could ever be alike because each potter put his or her hands on the object, thereby changing it and making it uniquely precious.

Her words struck me.

The truth is: There is no difference. The instant a person picks up a lump of clay and squishes it into his or her hand, the mille-second a thought forms as to what that lump of clay will become, creation takes place. The holder of the clay ceases to be merely human and instead becomes creator, transferring essence from Self to object, thereby creating art.

It is the same with everything we do. When clothing is folded with care into a converted shape to accommodate placement into a drawer in such a manner that it won’t lose texture, art has taken place. When dishes are lovingly stacked in a rack to dry in an order specific to the person stacking them, art has taken place. When a shovel is shoved into the ground with the intent of the shoveler’s vision of change upon Earth, art has taken place. When (insert an activity, any activity) is done with intent, art has taken place.

Finally, when an illustrator puts pen to paper and creates an image where there was none – art is created. The question “what is the difference between art and illustration?” is ridiculous, because there is no difference.

I suppose professors will continue to allow the argument to zing around their classrooms, lovingly aware that each artist has to form a conclusion for him or herself.

Right now, it is time for me to stop worrying whether or not these illustrations are “art enough” and just become the artist that I am. 

It’s time to draw.

Featured

Freely Express Your Truth

Background: I belong to a writers group, a collection of strong, wise, and creative women who meet on a weekly basis for an hour and a half to meditate together, respond to crazy prompts with a ten-minute quick-write, and then share what we have written. I have been working with these women for four years; the group has been together for seven. Sometimes…actually often… the members write as if their minds coalesce into one mind. This offering is one of those times.  A few members have agreed to share with me, and allowed me to publish their writing on a meditation prompt for the night of December 14, 2020.

I present their voices, and my own, as I invite you to think about what it means to express your truth. I would love to hear from you. (To any man that reads this blog, I do not mean to exclude you. I just happen to be a woman who belongs to an all-female writers group. There is no discrimination, here.)

Either reply to this post, or if you feel you don’t want to share publicly you can reach out to me at anna.morningsong.54@gmail.com. Please be sure to include “blog reply” in the message in case your unknown email gets sent to my spam file. I will look for you.

Waiting…waiting…waiting.

Joyce Ann Campbell

In the quantum view of this world, I am a vibrating, radiating field of electrical energy dressed for winter in the Sierra foothills.

Magnetic forces within me attract exactly what I need, but not always what I want.

Activity in the back of my head goes round and round in memories, alternating with my imagination, fishing for the future. In between, my mind rests in the present, witnessing and resounding to life within and surrounding me.

And, beyond that, my energies ripple endlessly into space, and flow back to me, pen in hand.

Shari Anderson               

To freely express my truth…what does that mean?

It means to express in an unhindered way, without restraint, holding guilt or fear.

It means to let out what calls to be released in a space expansive enough to allow it to exist. A space in which it is able: to wind its way along rivers of tears and oceans of heartache, to waft through foggy memories and unexplored fields, to percolate up from the muck and mire and finally find the sun.

Laurayne Mae offers the second prompt of the night, “I Am This Kind of Person – But Not Like That.” Her writing always speaks her truth and her piece, Big Grief, is no exception.

Stuck. Sticky stuck.

Can’t lift my feet to see what kind of person I am – let alone what I am not like.

So many changes in such a sick, short span. 

Terrifying times, globally, nationally, personally. 

Stuck. Sticky stuck. Who am I now?

Who I am in this moment is one who feels. I feel sadness and loss. They weave themselves into grief.

BIG GRIEF

Waiting for 

Relief

Release

Renewal

Amel Tafsout returns to the original meditation prompt, “Freely Express Your Truth” in Don’t Burn the Chicken Wings!

“Don’t burn the chicken wings!” he said.

“You already told me that!” I said.

“Why do you react this way?” he said.

“I just would like you not to repeat it to me so many times!” I said.

“I want to be free to talk to my wife… you are never here!” he said.

“You are picking on me all the time!” I said.

“Here we go, that’s why I am afraid of you!” he said.

“You don’t need to be afraid of me, but try to understand me!” I said.

“I just want a peaceful morning!” he said.

“Me too, but you don’t realize that you are picking on me most of the  

time!” I said.

“Here we go again with your pride!” he said.

“I may overreact but there is a reason and I am asking you not to do it!” I  

 said.

“Now my morning is destroyed!” he said.

I kept quiet thinking why can he not see my way when I am trying to make  him understand that I have been blamed so many times in my life and I want to change that to heal myself from it? Am I talking another language? Obviously, I am!

Here is another from Amel Tafsout, called Beheading Me. I choose to leave it as is, with no editing from me. It is a powerful piece about an actual event. Amel is a powerful dancer and one of her online photos was defiled.  

Amel writes:

Hey, You, how dare you delete my face, decapitate me and replace me with a Western white blond blue eyed woman, a sexual object such as Marilyn Monroe!

In my real photo my face is all power, a power that you will never understand – standing my ground in strength, power and beauty like our Amazigh-Berber warrior Queen Kahina, looking at you directly and saying to you I am!

I am that woman from the era of shamans and priestesses, who can make of you dust in one look!

A primal woman connected with ai, water, earth, fire and ether!

A woman who can rip you in pieces while doing nothing.

I am that Amazigh woman, proud of her roots and transcending her ancestry that you are ignoring and disrespecting!

Beheading me will harm you, replacing my powerful womanhood to a sexual object won’t work!

Making money off of me will follow you in hell! And you will get served what you deserve!

I am the power of all energies, gathered in the eye of the tornado that will sweep you away in a second!

AV Singer – Now I ask you

Is it fair for me to express my truth freely? For me, to myself, it is essential. For others, I find it more prudent to allow them space to express their truths while not imposing upon them mine. Why do I do this? Is it a lack of trust? Maybe. But, do we give others a chance to speak their truths or are we so wrapped in self? Maybe I feel most are not yet steady enough in truths of their own to carry my burdens. So I keep it hidden while remaining softly alert, waiting for their truth to manifest.

This is true for many women in the world. They quietly wait. Subjugated and repressed, not only are they silent, many have not had the chance to explore self, to know they have truths. They need space to learn what it means to be fully feminine. They need teachers. Those of us given time and guidance to do so must afford them the space for this vital expression of what it means to fully own womanhood.

Postscript: Waiting…waiting…waiting. Peace be with you as you travel through your week. AnaValarie

X, Y, and Z…

…are common variables denoting points on a system of mutually perpendicular Cartesian axes (pronounced ax-ees) in three-dimensional space. Why is a writer penning this information?

As a teacher, I often hear from a room full of whining students, “Why do we have to learn algebra?”

I hear from disgruntled parents, “My child will never use this.”

Frustrated, I have asked, “Wouldn’t a life-skill math course be more valuable?”

Algebra is a life-skill math course. It is a problem solving game. It is an exercise in creating more information from a set of parameters that may or may not offer a fixed solution. It is a way of thinking about our increasingly complex world.

Last semester, I sent home an assignment concerning measurement. The activity seemed simple. The student’s hands were a unit of measure to determine width and length of a table. Children are literal. If you tell them to measure a table with their hands, they will eagerly look for a table and start measuring. But what if there is no table to measure? He or she has a vision of ‘table’ implanted in the mind. It seems like an easy task until there is no table, and therefore no way he or she can measure one. Assignment aborted.

Was I so literal in my thinking processes as a child? If I had an assignment to measure a table with my hands and had no table, would I suddenly have no direction in which to proceed? Though I was considered gifted, I was also a child, so my answer is…yes, probably. “No table? No can do. I’m supposed to measure a table.”

Fortunately, my father was well versed in mathematics. I can imagine his glee as he jumped up. “We need a table,” he’d exclaim. “Let’s see if we can create one!”

This ability to create, to conceptualize that which isn’t, comes from an ability to generalize. My father had facts. He knew what a table was. He knew the assignment wasn’t about a table, but about measuring a plane by counting hands from edge to edge. I can imagine him patiently explaining a table was nothing more than a flat surface – a rectangular plane that one can measure from side to side. I may not have understood his words, but I would have followed him around as he took on the task of replicating a table for me so I could complete my assigned schoolwork.

How many of us, now parents, were lost when algebra was offered? How many followed the steps in class when a teacher explained the process, but never grasped the reasons behind them? As parents, many of us may not make the conceptual leap to creation because we did not understand the mechanics of x, y, z.  Algebra was a nightmare with no connection to life or its future.

In this particular case, where were the parents in this endeavor? Were they as stymied by the lack of a table as their child was? Some, like my father, came up with alternatives. Others did not. Sometimes, as teachers, we take for granted that parents have the knowledge they need to help their children with schoolwork. Often, that is not the case.

Adults, like children, have a mental picture dictionary of ‘table’, a fixed iconic image of what it looks like. They can probably draw one. However, having that picture does not guarantee they know what a table is, a flat plane with given points in space connected by line segments that form edges. If they knew this, anything with those attributes could become a table. However, this takes a level of thinking that most of them had to learn, an ability to generalize in order to conceptualize alternatives.

We teach algebra not to become math experts, but to learn this way of thinking. We learn to start with unknown and mysterious variables, and experiment to create solutions. We learn to understand the mechanics of the world, with axes x, y, and z so that we can recreate a replacement structure for our kids when they get a silly homework assignment about measuring a table using their hands as a unit of measure. If one cannot conceptualize this way, when there is no table, one uses the only answer available. “We have no table so we can’t do it. Go ask your teacher.”

A basic knowledge of algebraic concepts is the language of our world. It is how we speak of its structure and its function. It is how one creates a table out of a space on…well…anything that is flat.